People tell my wife and me, fairly often, that we make a great team. They say it with confidence, like it’s an observable fact, and honestly, they’re not wrong.
She comes at things as a Special Effects Makeup Artist, with patience (sometimes), precision, and an ability to transform a human canvas into something entirely new. I approach the world as a photographer, always chasing light, texture, and moments that feel just slightly out of reach. When we work together, those two worlds overlap in a way that feels natural, balanced, and quietly exciting.
Over the years, we’ve collaborated on a wide range of creative projects. Choosing a favorite would be nearly impossible, not because they’re all equal, but because each one represents a different chapter, different ideas, different risks, different memories. They mark where we were creatively and personally at the time.
One project that still stands out took place shortly before we left Orlando, just before Christmas. We collaborated with two wonderful models on a body paint shoot that came together beautifully. It was the kind of session where everything clicked: the planning, the trust, the energy in the room. Those are rare, and when they happen, you feel it immediately.
This morning, while sitting with a cup of coffee, I revisited that shoot and decided to re-edit two images of Gabrielle. I like doing that from time to time. As my skills evolve year after year, it’s interesting, and honestly grounding, to return to older work and see how my approach has changed. The images stay the same, but the way I see them doesn’t.
I’m a big fan of both of these photographs, especially after giving them a fresh look. I hope you enjoy them as much as I do.
